Disney just opened their new movie, "Alice in Wonderland", in 3D, right on the heels of James Cameron's 3D phenomenon, Avatar. With the advent of high definition hyper-real computer animation, these created, dimensional environments all but have us walking through forests of neon blue floating sea anemones as we fall down a rabbithole in hyperspeed. And these entertainments aren't just intended for the bubblegum set: expect to see adults, teens, seniors, preteens and grade schoolers flocking to these cinematic wonders.
It's early days in 3D yet the trend is clear. We've come to expect not just viewing but experiencing. The use of color, sound, motion and now, dimension, bring us right into the story.
As you move through strategic marketing planning leading to brand communication tactics, consider ways to insert your brand's constituents into the experience rather than just communicating at them. Interactive technology allows a two-way engagement. Holographic images allow us to walk right into a scene. Multi-sensory theaters like those at Disney World allow audiences to feel their seats move in a thunderstorm and feel the moisture of rain on their faces. Many small brands cannot afford these high test luxuries. But are there less expensive ways (scratch and sniff, moving pieces, textural components like cut-outs, pop-ups or imbedded sound chips, to name a few). Well placed, these types of tactics can breathe new life into an otherwise tired piece of brand communication and are well worth considering.
It's early days in 3D yet the trend is clear. We've come to expect not just viewing but experiencing. The use of color, sound, motion and now, dimension, bring us right into the story.
As you move through strategic marketing planning leading to brand communication tactics, consider ways to insert your brand's constituents into the experience rather than just communicating at them. Interactive technology allows a two-way engagement. Holographic images allow us to walk right into a scene. Multi-sensory theaters like those at Disney World allow audiences to feel their seats move in a thunderstorm and feel the moisture of rain on their faces. Many small brands cannot afford these high test luxuries. But are there less expensive ways (scratch and sniff, moving pieces, textural components like cut-outs, pop-ups or imbedded sound chips, to name a few). Well placed, these types of tactics can breathe new life into an otherwise tired piece of brand communication and are well worth considering.
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